2022
Bonneau, A., Pearce, D. G., Mitchell, P. J., Didier, L., Nic Eoin, L., Higham, T. F. G., Lamothe, M. and Arthur, C. 2022. Characterization and dating of San rock art in the Metolong catchment, Lesotho: a preliminary investigation of technological and stylistic changes. Quaternary International 611:177–189.
Green, D. and Bonneau, A. 2022. The essential role of pigment characterisation and colouring materials provenance study for rock art archaeology. The Digging Stick 39(3):7–10.
King, R. S., Bonneau, A. and Pearce, D. G. 2022. ‘They are all dead that I could ask’: Indigenous innovation and the micropolitics of the field in twentieth-century southern Africa. Cambridge Archaeological Journal 32(1):137–152.
2021
Arthur, C., Mitchell, P., Mallen, L., Pearce, D., Bonneau, A., Prinsloo, F., Nthunya, P., Mothopeng, L., King, R., Meyer, J. and Nic Eoin, L. 2021. Record-making, research, and removal: mitigating impacts on rock art in a CRM context in southern Africa. The case of the Metolong Dam, Lesotho. African Archaeological Review 38(4):675–694.
2020
Bonneau, A., Pearce, D. G., Mitchell, P. J. and Higham, T. F. G. 2020. Response to discussion: New methods for direct dating of southern African rock paintings – testing the methods, by Pieter Jolly. South African Archaeological Bulletin 75:164–168.
2018
King, R., Pearce, D., Bonneau, A. and Mallen, L. 2018. Changing lifeways in the Maloti-Drakensberg Mountains, southern Africa: towards a history of innovation and belief in the late Second Millennium AD. Archaeology International 21(1):82–88.
Pearce, D. G. and Bonneau, A. 2018. Trouble on the dating scene. Nature Ecology and Evolution 2:925–926.
2017
Bonneau, A., Pearce, D., Mitchell, P., 雷速体育_雷速体育直播, R., Arthur, C., Mallen, L., Brock, F. and Higham, T. 2017. The earliest directly dated rock paintings from southern Africa: new AMS radiocarbon dates. Antiquity 91:322–333.
Bonneau, A., 雷速体育_雷速体育直播, R., Higham, T., Brock, F., Pearce, D. and Mitchell, P. 2017. Successfully dating rock art in southern Africa using improved sampling methods and new characterization and pretreatment protocols. Radiocarbon 59(3):659–677.
2016
Bonneau, A., Pearce, D. G. and Higham, T. 2016. Establishing a chronology of San rock art using paint characterization and radiocarbon dating. In Gutierrez, M. et Honoré, E. (dir.) L’art rupestre d’Afrique, Actualité de la recherche, Actes du colloque International Paris, 15 au 17 Janvier 2014, Université Paris 1, Centre Panthéon et Musée du Quai Branly:245–251. Nanterre: Editions l’Harmattan.
Hœrlé, S., Pearce, D. G., Bertrand, L., Sandt, C. and Menu, M. 2016. Imaging the layered fabric of paints from Nomansland rock art (South Africa). Archaeometry 58:182–199.
2014
Bonneau, A., Pearce, D. G., Mitchell, P., Arthur, C., Higham, T., Lamothe, M. and Arsenault, D. 2014. Comparing painting pigments and subjects: the case of white paints at the Metolong dam (Lesotho). In Scott, R. B., Braehmans, D., Carremans, M. and Degryse, P. (eds) Proceedings of the 39th International Symposium on Archaeometry, Leuven, Belgium:319–323. Leuven: Centre for Archaeological Sciences.
Bonneau, A., Brock, F., Higham, T., Pearce, D. G. and Pollard, A. M. 2014. Date la plus ancienne obtenue par la méthode du radiocarbone appliquée directement aux pigments de l’art rupestre sud-africain. In Paillet, P. (dir.) Les arts de la Préhistoire: micro-analyses, mises en contextes et conservation. Actes du colloque «Microanalyses et datations de l’art préhistorique dans son contexte archéologique», MADAPCA, Paris, 16–18 Novembre 2011. Paleo numéro special:61–62.
Bonneau, A., Hoerlé, S., Pearce, D. G. and Pollard, A. M. 2014. Une approche multi-techniques pour la caractérisation des pigments San. In Paillet P. (dir.) Les arts de la Préhistoire: micro-analyses, mises en contextes et conservation. Actes du colloque «Micro-analyses et datations de l’art préhistorique dans son contexte archéologique», MADAPCA, Paris, 16–18 Novembre 2011. Paleo numéro special:57–59.
2012
Bonneau, A., Pearce, D. G. and Pollard, A. M. 2012. A Multi-technique characterization and provenance study of the pigments used in San rock art, South Africa. Journal of Archaeological Science 39:287–294.
2011
Bonneau, A., Brock, F., Higham, T., Pearce, D. G. and Pollard, A. M. 2011. An improved pretreatment protocol for radiocarbon dating black pigments in San rock art. Radiocarbon 53(3):419–428.